Biography
Curriculum Vitae
Bibliography
Publications
Mentorship
Commissions
Curriculum Vitae
Solo Exhibitions
Group Exhibitions
Curatorial Projects
CommissionsCollections
Bibliography
Publications
Mentorship
Commissions
2011 | Modra, P, ‘How to feel’, The Age, 29 Aug |
Rule, D, ‘David Rosetzky’s How to Feel at ACCA’, Broadsheet, 19 Aug, http://www.broadsheet.com.au/melbourne/arts-and-entertainment/article/david-rosetzkys-how-feel-acca | |
Palmer, D, ‘The difficulty of being oneself’, Art & Australia, Vol 48 No 3, Autumn 2011, pp 486–93 | |
2010 | Barrett, O, ‘David Rosetzky’, ART#1, exhibition catalogue, pp 20–1 |
Nelson, R, ‘Fantasy of an unsoiled present’, The Age, 30 Nov | |
Rule, D, ‘David Rosetsky: (heart) Forever’, Broadsheet, 10 Nov, http://www.broadsheet.com.au/melbourne/arts-and-entertainment/article/david-rosetzky-forever | |
Rule, D, ‘Around the Galleries’, The Age, 20 Nov | |
Vaughan, G, ‘David Rosetzky’, TWMA Contemporary 2010, exhibition catalogue, pp 22–3 | |
2009 | Dress Codes: The Third ICP Triennial of Photography and Video’, Dress Codes, exhibition catalogue, New York: International Center of Photography, 2009 |
Engberg, J, ‘Person incognita’, Art & Australia, Vol 46 No 4, Winter 2009, pp 584–5 | |
Smith, R, ‘Beyond a Simple Fashion Statement’, The New York Times, Weekend, 8 Oct | |
2008 | ‘David Rosetzky’, in Current: Contemporary Art from Australia and New Zealand, edited by Art & Australia, Paddington, NSW: Dott Publishing, pp 280–3 |
Annear, J, ‘Blank Face’, Art & Australia, Vol 46 No 2, Summer 2008, pp 276–85 | |
Chapman, C, ‘Being Cate’, Portrait 31, Autumn 2008, pp 28–30 | |
Jinman, R, ‘Cate’s laid back approach to a digital portrait’, Sydney Morning Herald, 22 Nov, p 3 | |
Millner, J, ‘Australian Video Art since 1980s’, Video Logic, exhibition catalogue, Museum of Contemporary Art, Sydney | |
Stephens, A, ‘Too close for comfort’, The Age, A2 section, 11 Oct, pp 16–7 | |
Stephens, A, ‘An ever-shifting sense of self’, The Age, A2 section, 20 Dec, pp 12–3 | |
Zagala, A, ‘David Rosetzky’, Art & Australia, Vol 46 No 3, Autumn 2009 | |
2007 | Cook, R, ‘Lifestyle Sublime: David Rosetzky’, Art Papers, Issue 32, Oct/Nov |
Cook, R, ‘David Rosetzky’, Raised by Wolves, exhibition catalogue, Art Gallery of Western Australia, Perth | |
Cook, R, Circle of Friends, exhibition catalogue, Art Gallery of Western Australia, Perth | |
Dwyer, C, ‘50 Most Collectable Artists – David Rosetzky’, Australian Art Collector, Issue 39, Jan/Mar, pp 184–5 | |
Webb, P, ‘Rosetzky’s consuming passion enacted with grace’, The Age, 20 Jun | |
Coslovich, G, ‘The tyranny of distance for Australian art, The Age, 7 Jul | |
2006 | Sullivan, E, ‘Modernism is Back! 21st Century Modern: 2006 Adelaide Biennial of Australian Art’, Art Monthly, Issue 190 |
Glass, A, ‘David Rosetzky: Maniac De Luxe’, 21st Century Modern: 2006 Adelaide Biennial of Australia Art, exhibition catalogue, Art Gallery of South Australia, Adelaide | |
Michael, L, (ed), 21st Century Modern: 2006 Adelaide Biennial of Australia Art, exhibition catalogue, Art Gallery of South Australia, Adelaide | |
Zenko, D, ‘Taking technology over to the dark side’, Vue Weekly, 9 Mar, Alberta, Canada | |
Perram, R, Home Goal: Diversity in Contemporary Art from the Collection of Dr Dick Quan, exhibition catalogue, Bathurst Regional Art Gallery, Bathurst | |
2005 | Dwyer, T; Huppatz, DJ and Tutton, S, ‘Camping and Tramping: 1st Floor Artists and Writers Space 1994–2002, Pitch Your Own Tent, exhibition catalogue, Monash University of Art, Melbourne, pp 74–104 |
Millner, J, ‘Anne Landa Award’, review, Contemporary Visual Arts & Culture Broadsheet, Vol 34 No 1, Mar–May | |
Brennan, B, ‘Video Hits’, profile, Vogue Living, Australia, May/Jun | |
Palmer, D, (ed), ‘Relations’, Photogenic: essays, photography, CCP 2000–2004, Melbourne: Centre for Contemporary Photography and Ellikon Press, pp 40–1 | |
Zagala, M, Drawn from the collection, exhibition catalogue, National Gallery of Victoria, 2005, pp 16–7 | |
Tutton, S, ‘David Rosetzky & the Art of Self Defence’, David Rosetzky, David Haines, exhibition catalogue, Contemporary Art Centre South Australia, Adelaide | |
Rhodes, K, Remote Control – Contemporary Photomedia, exhibition catalogue, National Gallery of Victoria, Melbourne | |
Marsh, A, ‘Piercing the subject: 21C anxiety in the works of David Rosetzky’, Eyeline, Issue 57, pp 16–8 | |
2004 | Hill, P, ‘State of original cine’, The Sydney Morning Herald, Weekend, 8–9 Jan |
Backhouse, M, ‘Drawn-out control quest’, The Age, Review section, 11 Dec, p 7 | |
Nelson, R, ‘Australian Culture Now’, The Age, 23 Jun | |
Nelson, R, ‘Swoon’, The Age, review, 9 Jun | |
Coates, R, Swoon, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne, p 34 | |
Engberg J, Swoon, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne, pp 3–4 | |
Frost, A, ‘Trouble in Paradise’, Australian Art Collector, Issue 28, Apr–Jun, pp 74–7 | |
Chapman, C, ‘Mesh, Artists Profile: David Rosetzky’, Contemporary Visual Arts & Culture Broadsheet, Vol 33, No 4 | |
Strachan, L, ‘Taking a slow burn to phony lifestyles’, The Age, ‘Review’, 13 Mar, p 7 | |
Engberg, J, ‘The last days of disco’, 2004 Adelaide Biennial of Australian Art: Contemporary Photo-media, exhibition catalogue, Art Gallery of South Australia, Adelaide | |
Wahjudi, C, ‘Face up – Contemporary Art from Australia’, review, Kunstforum International, No 168 Jan/Feb, pp 284–5 | |
2003 | Palmer, D, ‘New 03: David Rosetzky & Daniel von Sturmer’, Photofile, Issue 69 |
Engberg, J, ‘Loop-back, New Australian Art in Berlin’, Artlink, Vol 23 No 3 | |
Engberg, J, New 03, exhibition catalogue, Australian Centre for Contemporary Art, Melbourne | |
Tunnicliffe, W, ‘Untouchable’, New 03 exhibition catalogue, Australian Centre for Contemporary Art, Melbourne | |
2002 | Cook, R, ‘Happiness’, review, Contemporary Visual Arts & Culture Broadsheet, Vol 31, No 4 |
Geczy, A, ‘Crypto-realism’, Art Monthly Australia, issue 151 | |
Storer, R, ‘Look At Me’, Photofile, issue 65, May | |
Genocchio, B, ‘Twitchy escapist impulses’, The Weekend Australian, May 4 | |
Tunnicliffe, W, BitterSweet, exhibition catalogue, Art Gallery of New South Wales, Sydney | |
Stipancic, B, Connections, Contemporary Artists from Australia, exhibition catalogue, House of Croatian Artists, Zagreb | |
Delany, M and Koop, S, Screen Life, exhibition catalogue, Museo Nacional Centro de Arte Reina Sofia, Madrid | |
2000/1 | Klaosen, D, ‘Voyeurism, vulnerability and Elvis’, Real Time, Dec/Jan, p 31 |
Loxley, A, ‘A stroll in the park…’, Sydney Morning Herald, 5 Dec | |
Stanhope, Z, ‘Photogenic’, Weekender, exhibition catalogue, 1st Floor Artists and Writers Space, Melbourne | |
Day, C, Happiness, exhibition catalogue, Adam Art Gallery, Wellington, New Zealand | |
2000 | Turner, R, and Xu, M, ‘Ten Takes’, Australian Style, Issue 50, pp 68–77 |
Hjorth, L, ‘Custom Made’, review, Artlink, Vol 20 No 3, pp 93–4 | |
Rossiter, N, ‘Custom made confessions at CCP’, RealTime, No 38, Aug | |
Palmer, D, Custom Made, exhibition catalogue, Centre for Contemporary Photography, Melbourne | |
Tutton, S, Custom Made, exhibition catalogue, Centre for Contemporary Photography, Melbourne | |
Petrie, A, ‘The portraits that move’ Melbourne Yarra Leader, 14 Feb, p 3 | |
Palmer, D, ‘Mayonnaise’, review, Frieze, No 53, Jun–Aug | |
Nelson, R, ‘Puff and nonsense’, review, The Age, 16 Feb | |
Nelson, R, ‘Signs jostle in a posh forum’, review, The Age, 14 Jun | |
Day, C, ‘Absorbing Summer Blend’, Like, Art Magazine, No 12 | |
Day, C, ‘Interview with Peter Hill’, Photofile, No 59, Apr | |
Travis, L, ‘Signs of the Times, Art, Music and Fashion’, Good Thinking, | |
1st Floor Artists and Writers Space | |
Huppatz, DJ, ‘Lifestyle Portraits’, Good Thinking, 1st Floor Artists and Writers Space | |
1999 | Brown, S, ‘Give me something to believe in’, Moët & Chandon Touring Exhibition, exhibition catalogue, National Gallery of Australia, Canberra |
Travis, L, ‘Running for their lives’, The Age, Today Arts section, 23 Jun, p 7 | |
Hudson, S, ‘Selling direct to the public’, Herald Sun, 20 Aug | |
1998 | O’Connell, S, ‘Buttercup’, All This and Heaven Too – 1998 Adelaide Biennial of Contemporary Art, exhibition catalogue, Art Gallery of South Australia, Adelaide |
Clabburn, A, ‘Breaking through the barriers to intimacy’, review, The Age, Living.Arts, 20 May | |
King, N, Private parts, exhibition catalogue, Monash University Gallery, Melbourne | |
Chapman, C, ‘The Real Deal’, Art & Australia, Vol 35 No 3, Autumn | |
McKenzie, R, ‘Being and Time; The New Existentialism’, Beaux Arts, No 168, May | |
1998/7 | Porter, G, Society Lite, catalogue essay, Dunedin Public Art Gallery, Dunedin |
DJ Huppatz, Society Lite, catalogue essay, Dunedin Public Art Gallery, Dunedin | |
1997 | Tunnicliffe, W, Juice, exhibition catalogue, Art Gallery of New South Wales, Sydney |
Tutton, S, ‘The Real Thing’, Like, Art Magazine, No 2 | |
Gibson, J, ‘Primavera 96’, review, Art + Text, Issue 56 | |
1996 | Cramer, S, Primavera 96, exhibition catalogue, Museum of Contemporary Art, Sydney |
Tutton, S, ‘…And how does that make you feel?’, Primavera 96, exhibition catalogue, Museum of Contemporary Art, Sydney | |
Travis, L, Lifestyle, exhibition catalogue, 200 Gertrude Street, Melbourne | |
1995 | King, N, Blow Up, exhibition catalogue, Roslyn Oxley9 Gallery, Sydney |
Jelbart, ML, ‘A space of their own’, Herald Sun, 27 Sep, p 58 | |
Dwyer, T, ‘Little han(d)s make light work’, Little Hans, exhibition catalogue, The Building 40 Project, Royal Melbourne Institute of Technology, Melbourne | |
Dwyer, T, Tutton S and Walker, L, David Rosetzky, Megan Woodward, exhibition catalogue, 1st Floor Artists and Writers Space, Melbourne | |
1994 | Chapman, C, Conceptual Vertigo, ‘New object art from Australia’, Midwest No 6, Dunedin, pp 31–5 |